fr

Migrations

Mat Chivers

CURATED BY Jean-François Bélisle AND Anne-Marie St-Jean Aubre

After a presentation at Musée d'art de Joliette in 2018, Migrations will now be exhibited at Arsenal Contemporary Art Montreal. This spring, Mat Chivers has continued working on a series of drawings as part of a residency at Arsenal Contemporary Art Montreal.

Over two years ago, the Musée d’art de Joliette invited English sculptor Mat Chivers for a production residency in Quebec to create a new body of work that engages with the AI scene that is booming in Montreal. As soon as he arrived, Chivers took to the road to explore the province, which he had never visited before. He followed the Saint-Lawrence River all the way to Tadoussac, then headed inland to the Manicouagan reservoir, where people spoke to him of a peculiar mineral: impactite. Collaborations were numerous and essential to preparing the exhibition, which involved the assistance of AI programmers, ceramicists, 3D scanning specialists, and professionals in the use of robotic saws for stone-cutting. And yet, this project is interesting less for its technical prowess that for the larger issues it raises: how will developments in artificial intelligence affect our lives? How do they help us ascertain and identify that which is essentially human?

The Migrations exhibition is composed of three elements: a considerable group of sculptures, a video, and five diptychs of drawings, some of which were produced during a residency the artist completed at Arsenal Contemporary Art Montreal last spring. At its origin is the intuitive understanding that the sense of touch, which allows us to enter in direct contact with our living environment, is a fundamental dimension of human experience that artificial intelligence will never really be able to grasp. The title of the exhibition refers to the migration of information through matter, but also to the processes by which one passes from one level of conscience to another.

Migrations is initiated and circulated by the Musée d’art de Joliette. This project was made possible thanks to the financial and technological support of Element AI, Duchesne Lac-Mégantic, Groupe Omégalpha, USIMM, Concordia University, Halo Creation, C2 Montréal, UNTTLD, Marylise Parent, Jean-Daniel Sylvestre, and Jean-François Bouchard.

Mat Chivers - Migrations

Installation view
Photo credit: Romain Guilbault

01 / 13

Mat Chivers - Le Rêve, 2018, Ed. 1/4,

Looped single channel video installation with French and English audio versions, 11 min.

02 / 13

Mat Chivers - Migrations

Installation View

03 / 13

Mat Chivers - Migration, 2018

Impactite, unfired clay,
66 ⅞” x 267 ⅝" x 366 ⅛" (170 x 680 x 930 cm)
Photo credit: Romain Guilbault

04 / 13

Mat Chivers - Migration, 2018 | Detail View

Impactite, unfired clay,
66 ⅞” x 267 ⅝" x 366 ⅛" (170 x 680 x 930 cm)
Photo credit: Romain Guilbault

05 / 13

Mat Chivers - Migrations

Installation View

06 / 13

Mat Chivers - Migrations

Installation View

07 / 13

Mat Chivers - Where Do I End and You Begin (barn swallow), 2018

Carbon on paper,
59 ¾" x 96 ¾" (152 x 246 cm)
Photo credit: Paul Litherland

08 / 13

Mat Chivers - Where Do I End and You Begin (barn swallow), 2018

Carbon on paper,
59 ¾" x 96 ¾" (152 x 246 cm)
Photo credit: Paul Litherland

09 / 13

Mat Chivers - Where Do I End and You Begin (eastern loggerhead shrike), 2019

Carbon on paper,
59 ¾" x 96 ¾" (152 x 246 cm)
Photo credit: Paul Litherland

10 / 13

Mat Chivers - Where Do I End and You Begin (ruby-throated hummingbird), 2019

Carbon on paper,
59 ¾” x 96 ¾" (152 x 246 cm)
Photo credit: Paul Litherland

11 / 13

Mat Chivers - Where Do I End and You Begin (human brain), 2019

Carbon on paper,
59 ¾" x 96 ¾" (152 x 246 cm)
Photo credit: Paul Litherland

12 / 13

Mat Chivers - Where Do I End and You Begin (surface of the Fleuve St Laurent at Tadoussac), 2019

Carbon on paper,
59 ¾" x 96 ¾" (152 x 246 cm)
Photo credit: Paul Litherland

13 / 13

About the artist

The work of British visual artist Mat Chivers looks at how the fundamental phenomena that exist below the surface of things inform the way we experience the world around us. Mat Chivers participated in residencies in Italy (2016), South Africa (2014) and England (2013 and 2009). In 2014, he was commissioned to do a sculpture project for the new Mathematical Institute building at Oxford University, during which he developed a method of working that is now emblematical of his approach.

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